The last of Steve's great artwork from the original site that didn't fit into the other categories
". . . we call it the Last War, not because it was mankind's final battle, but because the world which started the war no longer existed by its close. It lasted forty years, and it saw the destruction of four mighty empires. Two generations never knew a world without conflict; few were not personally touched by its ravages, and fewer still remembered a world without Ogres . . ."
– from "After the Long Winter: Roots of the New World"
University of Melbourne, 2250
Wednesday, 26 February 2025
Tuesday, 25 February 2025
Combat Photography - Part 4: Russia 2092
The penultimate upload of Steve Stratton's original artwork from the first website- this time the imagery is set in his own setting of the PanEuro offensive in Russia 2092. I always loved how Steve used historical imagery in this series
Monday, 24 February 2025
Combat Photography - Part 3: PanEuro Afrika Korps
Continuing the upload of Steve Stratton's original artwork from the first website- this time the imagery is set in the Saharan Combat Zone (SCZ) and my PanEuro Afrika Korps project
Sunday, 23 February 2025
Combat Photography - Part 2: ADZ
Continuing the upload of Steve Stratton's original artwork from the first website- this time the imagery is set in the Antartica Disputed Zone (ADZ)
Saturday, 22 February 2025
Combat Photography - Part 1: SEALION 2076
At the original PanPac Alliance Steve Stratton dazzled us with some great imagery manipulation that was, for its time, rather impressive. While programs and skills have developed in the decades since, I still really enjoy these for their nostalgia, focus on our projects, and because they include pics of my own models.
Here is the first in a series of rehoming these images to the new site. Unfortunately, the larger, high-res version of the pics have been lost.
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The following images have been created using composites of photographs of miniatures and real photographs. Steve Stratton has done about 90% of them and for the other 10%' which were mine, he has put on the finishing touches as well. I think you will all agree with me when I say that Steve's work is simply stunning and really makes the world of OGRE come to life.
Here is Steve in his role as a photographic correspondant for Time Magazine (PanEuropean Edition).
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